University of Texas Austin the Art Gallery of Black Studies
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AGBS (The Art Galleries at Black Studies at the Academy of Texas) is a platform from which to unpack timely social problems, through the arts. From exhibitions celebrating contemporary creative expression, to displays of archives and material civilization, AGBS is the sole on-campus entity dedicated to showcasing narratives of Africa and the African Diaspora. Comprised of 2 galleries—The Christian-Green Gallery and the Idea Lab—AGBS spaces are premiere destinations for anyone who seeks to connect with narratives that affect us all.
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MEET OUR STAFF
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DR. CHERISE SMITH | EXECUTIVE DIRECTOR
Associate Professor Cherise Smith joined the Department of Fine art and Art History at the University of Texas at Austin in 2005. She offers courses in and has published articles on African American and African Diaspora art, the history of photography, and contemporary art. Her manuscript, Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith, was published past Knuckles University Printing in 2011. It examines how identity is negotiated in operation fine art by reading closely a performance work by each artist in which she takes-on the characteristics and manners of a racial, ethnic, and gender "other". She has worked in the curatorial departments of several museums and curated a number of exhibitions.
KENDYLL GROSS | CURATOR OF PUBLIC PROGRAMS
Kendyll holds a BA from Emory University and an MA in Art History from the Academy of Texas at Austin (UT), where she specialized in the fine art of Mesoamerica, and modern appropriations of ancient art forms. She has worked with the Blanton Museum of Art equally a Graduate Teaching Young man, and with UT'south Mesoamerica Middle equally a Curatorial Enquiry Assistant. Her public instruction feel includes researching and preparing lectures for a range of audiences—from K-12, to university groups, to museum volunteers.
PHILLIP TOWNSEND | CURATOR OF ART
Curator of Art, Phillip Townsend is a PhD candidate in the Section of Art + Art History specializing in modern and contemporary art of the African Diaspora with a focus on the politics of identity and representational strategies of BIPOC artists. He received his M.A., in Art History from UT-Austin (2016) and his B.A., in Fine art History from The University of South Florida (2014). Phillip is a co-founder of the Austin-based curatorial commonage, Neon Queen Collective. He has curated and co-curated exhibitions featuring the work of John Pinderhughes, María Magdalena Campos-Pons, Charles White, Ashley Ortiz-Diaz, and most recently Adrian Armstrong.
ALEX CODLIN | EXHIBITIONS AND COLLECTIONS MANAGER
Alex holds a BA with Special Honors in Art History and an MA in Art History from The University of Texas at Austin, where she specialized in British art of the 1960s and issues of form. Previously, she was the Associate Director at the Visual Arts Middle and Director of Operations at Vault Art Services.
CONTACT US
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THE Idea LAB
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210 W. 24th St. Austin, TX 78712 | Gordon White Building ii.204 | 512. 471. 1784
THE CHRISTIAN-GREEN GALLERY
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201 E. 21st St. Austin, TX 78712 | Beauford H. Jester Heart A232A | 512. 471. 0254
GALLERY TOURS & PROGRAMMING INQUIRIES
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Kendyll Gross – kendyllgross@utexas.edu
TELL Us HOW WE'RE DOING
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The arts have a vital role to play in our agreement of each other -- giving voice and visibility to infinite narratives. When y'all give to AGBS, you lot are making an of import argument. You are providing access to art spaces which celebrate and back up artists of the Black Diaspora -- affirming that people of all colors, and their stories, vest in fine art spaces.
YOUR Gift IMPACTS
EVERY PART OF THE GALLERIES
ART Equally AN EDUCATOR
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College-aged and K-12 students are exposed to artistic expression that focuses on the representations of historically excluded communities.
ART Every bit AN Equalizer
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Our galleries provide platforms for both emerging and well-established artists to share their work, connect with one some other, and forge connections with scholars beyond our campus and beyond.
ART Every bit A TRAINING Footing
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Students are provided paid opportunities to cultivate their understanding of gallery administration.
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ART AND ARCHIVE INITIATIVE:
INTEGRATING UT'S ARCHIVAL AND Artistic LEGACY
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Recognizing the power of inclusivity, AGBS collects artworks, archival material, and ephemera by and about Black people across the globe, for our drove and other institutions on campus. Representation matters. These efforts, guided by kinesthesia, staff, students, and community, are making UT Austin a significant site to study the art and material culture of the Black diaspora. Give today to back up The Art and Archive Initiative, the nigh dynamic collection effort on campus.
AGBS is honored to recognize our Gratitude Circle donors who provide vital back up to the galleries' mission, exhibitions, and programs. Through their generous contributions, AGBS can continue to human action as a platform for education, equalize access to diverse arts, and railroad train young artists, scholars, curators, and new art lovers. Donors who desire to deepen their investment to AGBS are invited to requite at the $5,000.00 level and to a higher place.
AGBS Guild — $5,000+
Visionary Funders — $10,000+
Executive Managing director's Circle — $20,000+
Here ARE A FEW Ways WE WILL SHOW OUR GRATITUDE
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Acknowledgement in Donor Recognition Programs
Special invitations to testify openings and gallery events
Promotional and commemorative materials spotlighting exhibitions
Costless parking
Private tours from staff and curators
To acquire more information about deepening your delivery to the arts for all and joining our gratitude circles, please contact Tamra Lawson Webb at tamra.j@austin.utexas.edu.
Source: https://www.galleriesatut.org/
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